Infinity Crescendo CS 3006 Vintage Audiophile Speakers Excellent Tested Working $599.00 $120.00 shipping or Best Offer 2 each Infinity Crescendo CS 3007 Speakers. VISIT MY SWORDS, KNIVES and FANTASY ART WEBSITE www.kitrae.net, This website is frequently updated. Description. Weber FC12 speaker with a Green Russian Big Muff - In Any Tongue solo, Weber FC12 speaker with a BKB 911 Tube Driver - Louder than Words solo, Shown above - Hi-Tone 75w DR-F speaker made by Eminence, based on a Fane purple backed speaker from the 1970s. I'm thinking that the people using the Fane name nowadays have little relationship to the old company. The modern version of that speaker is the G12H-100. A bold new entrant in the arena of high performance Alnico guitar speakers for modern rock and metal sounds. Made for Hi-Tone by Eminence. 2018 underlines our continued commitment to product development and innovation with the launch of FANE Imperium a formidable addition to our professional range of products to stand alongside the Colossus Series, delivering outstanding efficiency to provide a definitive performance advantage and another legendary FANE product for the future. The '59 Bassman is a replica of the original 1959 tweed covered Bassman model 5F6-A combo, a 45w amp with four 10" speakers, and four inputs. They were built for Watkins by Rawson Sparfield Ltd, in Haverhill, Suffolk, England, the same builder who made cabs for Selmer and others. The old tubes and speakers can also be worn out, which will add to the cost. They sound harsh for the first few weeks when new, as is the case with most new speakers. The unit used a high frequency electrical discharge to produce sound waves by ionising the air in a small quartz tube coupled to a flared horn. Fender silverface Twin Reverb amp, and Dual Showman Reverb amp. We are committed to offering products of the highest standard, competitive pricing and support services needed to meet the changing demands of the pro audio market place. Rawson Sparfield sells a 100w Fane Crescendo 12A replica that is a very accurate recreation of the original, using a similar cast metal frame, the same magnet and voice coil specifications, and aluminum dust cap just like the original. Closed-back cabinets sound more focused and project the sound in one direction. A period of changes of ownership and lack of direction combined to make the next few years challenging for FANE. Fane Crescendo 1970s pair Gilmour Floyd 12A Speakers used Pre-Owned $1,247.72 Buy It Now +$166.36 shipping from United Kingdom 28 watchers Sponsored PAIR FANE 10 30 10 INCH ALNICO SPEAKERS 8 OHMS Refurbished $399.00 Buy It Now +$42.04 shipping 10 watchers Sponsored Matched Pair 2x Vintage 1971 Sound City Fane 122190 40w 15ohm 12" Speakers 1970s Umthey are by FaneI'm not too sure.". Celestion G12T-75 speaker with a Green Russian Big Muff - In Any Tongue solo, Celestion G12T-75 speaker with a BKB 911 Tube Driver - Louder than Words solo. Privat . This Bassman/Hiwatt setup was used for most of the 1993 Pink Floyd sessions which resulted in the Division Bell album, where David first started using the B.K. Shown above - There were various other versions of Crescendo speakers with different specs, differing 4 and 8 spoke cast metal Kits Secret Guitar, Gear, and Music Page It is perfect with mid-scooped pedals like the Big Muff and B.K. Fender says they are 30w, but they are actually the same 20w Legend 1028P blue frame Alnicos found in the original Bassman RIs. Many thanks - that's a great description for what I am after in my head - I am not a Stadium Player, I made comparison clips of a Fane Crescendo, Hi-Tone Crescendo A, RS Starfinder, and several other speakers on this page, with notes on the differences -, Ive got 4 original Cresendo A 100w, and 2x Rawson Sparfield DG12A, on a recommendation from someone here on the forum. -David Gilmour, Guitar Player, Nov 1984. The all new "Starfinder" DG12A cast aluminium basket 100w 12 inch guitar speaker featuring extra high power anisotropic ferrite magnet, 2 inch voice coil and 20,000 gauss is painstakingly reproduced to the same specification as its predecessor, the "CRESCENDO"12A that was instrumental in producing that unique early Floyd sound. The original Crescendos were 12" 100w, 15" 100w, and 18" 150w models, all available in both 8 ohm and 15-16ohm. The A90 is the speaker that long-suffering high output compact combos have been waiting for. It is a much darker sound than the other speakers listed above, and may not jump out as well in a band mix, but it still works well for gilmour tones. You will also need glue, epoxy . The massive magnet and ribbed foil tape make them easy to identify. Models that perfectly balance heritage with innovation, providing the elusive qualities of high performance, exquisite tonality and consistent quality. Compare these to the original Fane Crescendo clips at the beginning of this section. The Ascension F25 is a low wattage, 25 watt, ceramic magnet, guitar speaker with an emphasis on crunch and mid-range presence. 15911 E Whittier Blvd East Whittier, California Call Now. - Phil Taylor, Guitarist Magazine Jan 1995. An alternative is the Eminence GA10-SC59 speakers, which are also 20w and with paper voice coil formers like the 1028P. speaker cab loaded with Celestion speakers from 2001 (left) and 2004 (right). That said, I use both at home, but I do not have close neighbors who would complain. I have read that production changed to pressed/formed steel frames at some point, but every Crescendo I have ever seen had a cast aluminum frame. Yes and no Out of curiosity I did some digging and came up with this: . Couldn't blame Fane for wanting to get a piece of the nostalgia-fuelled money which leaves many guitarist's hands (including mine!). The current Fane Acoustics company no longer makes Crescendos and vintage Crescendos in good condition are very difficult to find today, expensive when you can find them, and can sound very different from one another due to age and use. David used them on the front end of his Yamaha RA-200 rotary speaker cabinets for Pink Floyd's 1977 tour and 1980-81 performances of The Wall, and in his barn and Hove studios. Another option is the less expensive 1028K version that is readily available. In 1994 David had his Hiwatt preamps switchable, so they could be bypassed and allow the Alembic to become the preamp for his whole live Pink Floyd rig. This item is sold As-Described and cannot be returned unless it arrives in a condition different from how it was described or photographed. In fact, he has used the same WEM cabinets in his live rigs from 1970-2016. - There are numerous versions of the Twin Reverb that Fender has produced throughout the years. Gilmour's 1990-91 era 59 Bassman reissue with 10" blue frame Alnico Legend 1028P speakers (Evidence Audio photo), 10" blue frame Alnico Legend 1028P speakers with paper voice coils, made by Eminence for Fender. He also used one in his 1990 Pink Floyd rig. The Silver Label version was reversed so all the text was in black, other than The Crescendo name. Those look great. Fane Crescendo speakers were made by the legendary British loudspeaker company Fane throughout in the 1960s, '70s, and '80s. The control panel included a fake "ground" switch, to match the look of the original Bassmans. During the 1960s the electric guitar created the need for more powerful 12-inch loudspeakers. Brand New. (Great Scott Marty!). Id look into the new Fane Ascension Series F70/F90s. The braided piping on the early Starfinders was gold but changed to silver and red on later production. Eminence The Tonker 12" Guitar Speaker Red Coat 8ohm . The Showman was sold with a matching speaker cabinet fitted with JBL D-130F 15" speakers with silver dust caps or optional D-140F 15" bass speakers. He had WEM 4x12 cabinets with Fane Crescendo speakers in, identical to the ones he uses now" - Pink Floyd backline tech Phil Taylor, Guitarist Magazine Jan 1995, "I have two new 100-watt Fender Twin Reverb heads running to two 4xl2 cabinets each-two WEM cabinets with Fane Crescendo speakers and two Marshall cabinets with Celestions." Turbosound, who selected FANE for all their custom designed loudspeaker requirements, were the choice of the worlds leading venues and entertainers. Fane's present day headquarters and manufacturing plant in West Yorkshire, England. In a 1979 interview conducted by David Rosen, Gilmour was asked what speakers were in his in the WEM cabs and David replied "I'm not too sure actually. I don't think one is any better than the other, it's just a matter of personal taste. Tony yes, you're right about the wording on the label; sounds like something from a space TV programme of the same era! It is the perfect amp to use clean, with a B.K. Hi-Tone DR-F speaker with a Green Russian Big Muff - In Any Tongue solo, Hi-Tone DR-F speaker with a BKB 911 Tube Driver - Louder than Words solo, Reeves original 75w Vintage Purple speaker made by Eminence, based on Fane purple backed speakers from the 1970s, Reeves later 75w Vintage Purple speakers made by WGS, also based on Fane Vintage Purple speakers. Fanes are Very expensive to manufacture as the Frames also have Titanium in them for strength and lightness. It looks like that piece of gear is gone. Since modern power cords include a ground prong, a ground switch on an amp is no longer necessary. From the start, FANE had also produced large 12-inch bass drivers for OEMs in the specialist hi-fi industry in addition to producing its own hi-fi products such as the Quartet complete loudspeaker system. Different tubes offer different sound characteristics, which can affect the cleanness and EQ of the tone. Reeves Vintage Purple speaker with a Green Russian Big Muff - In Any Tongue solo, Reeves Vintage Purple speaker with a BKB 911 Tube Driver - Louder than Words solo, G12T-75 speakers with vent hole on back made by Celestion in England in the 1980s (left) and the version without the vent hole from the 1990s (middle and right). By clicking Subscribe, I agree to receive exclusive offers & promotions, news & reviews, and personalized tips for buying and selling on Reverb. Yes, good drivers. Shown above - Rola Celestion G12/75 from 1976 and the Celestion G12T-75 from 1984, both made in England, Shown above - Rola Celestion G12-100 from 1982, made in England. Specification Bass Resonance 70 hz Frequency Response 30hz to 16,000hz 2 inch voice coil 100 watts rms 20,000 gauss Motherfuzzer In general, as long as it is a sturdy, well built cabinet, I don't think it matters which brand it is. The 1990 tweed Fender 59 Bassman RI combo amps David used throughout the 1990s and early 2000s were fitted fitted with four 10", 8 ohm, 20w Legend 1028P blue frame Alnico speakers with paper voice coil formers, made by Eminence for Fender. - David Gilmour, Guitar Player, Nov 1984. This is a comparison of one of my original Fane Crescendo speakers to the Rawson Sparfield Starfinder and Hi-Tone Crescendo A speakers. Gilmour recording at Abbey Road in 1975 using a 1972 Fender Dual Showman Reverb amp with matching Fender 2x15 cabinet with JBL speakers Hey! Just remember these are heavy, loud 85-100 watt amps. Would the Starfinder sound good in a small combo? Fane Acoustics Limited, Batley, West Yorkshire, England, was officially registered as a Company on 11th June 1958. They used to be sold by a retail outfit called RSC, who I think may have had a connection with the manufacturers themselves. The Ascension F30 is a 30 watt, ceramic magnet, guitar speaker. It sounds very similar to the original amps, but speaker types make a big difference with the sound. Originally the G12/75 and G12T-75 had a vent hole on the back to relieve VC pressure and tame the high end, allowing them to stay clean at very high volume, but later G12T-75 speakers from around 1986 onward had no vent. Compared to my original Crescendos, the Crescendo A is slightly brighter, with slightly more treble/upper mids, and slightly less low end. This driver has been thoroughly researched in every detail possible and every component recreated to exacting standards, they are even magnetised on the machine that the original Fane company used back in the 60s and 70s. The Alembic F2-B preamp was essentially two Twin Reverb/Showman preamps in one rack enclosure. Modern 'vented'Fane voice coils still utilise Arthur Falcus' revolutionary glass fibre technology. Buy Direct from Avatar Speakers. The silver foil Crescendo label on the back plate was made in two versions - a Black Label and Silver Label. You can also upgrade the four stock 6L6 Groove Tubes (that's what was in mine, new) for a good set of NOS tubes or JJ Electronics tubes, and swap preamp tubes for NOS or JJ's (2-5 tubes depending on which input you use most and if you use the reverb or vib/trem). The stock Marshall cabinets were sold with several different speakers types at different times: G12/75, G12-80, G12M-70, G12-100, G12H-100, G12-65 (1978-1983), G12T-75 (1984 - 1990). As Bill Sees It. In 2007 FANE was relocated from its then manufacturing plant in Leeds to its current home at our headquarters in Castleford, West Yorkshire, England. ou can switch the Jensens for Weber 12F150's or Weber Californias if you want something closer to the sound of the old JBL speakers used in the original blackface and silverface Twins. Cabinets typically come wired for 8ohm or 16ohm impedances. Although not an exact copy, it is very close to the sound of a 1970s Fane Crescendo and includes the aluminum dust cap. Our loudspeaker selection tools helps you choose the ideal product for your application. Both amps are alwasy on, which allows him to have a blend of both types of speaker tones. Read more. These are typically 50w or 70w Fane speakers with completely different specs and sound than the Crescendo. The Ascension A30, 30 watt guitar speaker, has been voiced to offer more crunch for classic vintage guitar tones. They work well with a Hiwatt for Gilmour tones. Note the silver dust cap of the Fane Crescendo speaker visible through the grille cloth on the right. In the 1970s Fane made speakers for Selmer,Watkins (WEM), Simms-Watts, Vox, and Dave Reeves of Sound City and Hiwatt fame, which is likely where Pink Floyd was first introduced to them. Oops, looks like you forgot something. Note the 122326 ID codes. 4x12" cabs are overkill for home playing and are really only necessary for large venues. Its articulate high end and super-tight bottom deliver precision and punch while maintaining the legendary Fane tonal character. Those were discontinued sometime around 2012-13 and replaced with Vintage Purple speakers built by Warehouse Guitar Speakers. WEM SPEAKER CABINETS - David Gilmour has used a wide variety of small combo amps (amplifier + speakers in one cabinet) in the recording studio, but his early studio rigs and live rigs usually consisted of amplifier heads powering separate 4x12" speaker cabinets. Note the aluminum dust caps indicate these are Crescendo 12 'A' type speakers. 15740 Citrustree Rd. In the 1970s Fane made speakers for Selmer,Watkins (WEM), Simms-Watts, Vox, and Dave Reeves of Sound City and Hiwatt fame, which is likely where Pink Floyd was first introduced to them. Call / Email. These speakers are a bit wider voiced, more agressive than the original Greenbacks, and also take OD much better. FANE Towards Perfection was a phrase used to reflect the pedigree and mission statement that the company was striving so successfully to achieve. Best suited for use in 1 x 12" and 2 x 12" low- to mid-powered combo amps, the Ascension N30 is an optimal . Keep in mind that buying an old Twin Reverb may cost less than a brand new one, or cost about the same as a used '65 reissue, but the capacitors in those older amps can be 30-40+ years old. David used a silverface Twin Reverb in the Dark Side of the Moon recording sessions, and a Dual Showman Reverb (a Twin Reverb in head form) for the Wish You Were Here Sessions. He also briefly use a pair of silverface Twin Reverbs in a 1984 performance, and a pair of Twin Reverb II amp heads from 1984-87. A 1x12" cab or 2x12" (two 12" speakers) is suitable for most home or small venue players. Fane Acoustics Limited, Batley, West Yorkshire, England, was officially registered as a Company on 11th June 1958. From Ubiquitous. The tone falls somewhere in between the Crescendo A and Weber FC12. The new Rawson Sparfield Starfinder is probably the closest you can get now from the looks of it, with the Hi Tone being another good choice, from a great company. You must log in or register to reply here. Our story begins when founding partners Arthur E. Falkus and Dennis A. Newbold established the FANE brand by combining the first two letters of their respective surnames (FA and NE) to create the name that would form the identity of their new company. TYPES OF SPEAKER CABINETS - There are many good brands of speaker cabinets - Marshall, Fender, Mesa, Hiwatt, Hi-Tone, Reeves, Peavy, Bogner, Orange, et cetera. We aretrusted and proven to deliver superior sound quality in the most demanding sound reinforcement applications, by the worlds most famous sound system designers, high quality musical instrument amplification brands and fixed installation companies. Pigtails, shims and instructions are included. The current Fane Acoustics company no longer makes Crescendos and vintage Crescendos in good condition are very difficult to find today, expensive when you can find them, and can sound very different from one another due to age and use. Type A speakers were typically listed in speaker catalogs as "Crescendo 12A" and the spoke labels on the speakers identified them as type "12 A". One unit was equipped with aluminium voice coil windings, a favourite technique of Arthur Falkus to extend high frequency response. The same cast metal Fane frame used for the Crescendo was also used for other speakers with various wattages, magnet sizes, speaker cone types, and voice coils. $375.00 Local Pickup or Best Offer 15 watching Pair Infinity Crescendo CS 3007 Speakers Serviced playing great all original $799.00 Local Pickup 12 watching While not an exact replica, it is the same size and is built like a tank. These are typically sold with Hi-Tone Eclipse 2x12 and 4x12 cabinets, but they can sometimes also be bought in the replacement speakers section on the Hi-Tone site. It was still fitted with Jensen P10R speakers. They sound harsh for the first few weeks when new, as is the case with most new speakers. The FC in the name stands for Fane Crescendo, and they include the silver dust cap like the original Crescendo, but they really do not sound like a Crescendo. The speaker cones were ink stamped with an identification code, although many only had a partial stamp because of the curved cone shape. The unique grille cloth was actually made in two layers - a thin front layer that was practically see through, stapled over a black mesh back layer. Select one or more of the filters below to view products meeting your criteria. You are using an out of date browser. Fane branded their stock speakers for Hiwatt, Sound City, and Simms-Watts, but they were usually marked with the same speaker model numbers as the Fane branded versions. Two common types of 12" Crescendos were made in the 1970s - type 'A' all-purpose speakers, with aluminum dust caps, and type 'B' and 'L', with plastic treated linen surrounds, which were sold in pairs and intended for bass guitar and organs. There were also several different Fane Crescendo models with various speaker frame designs and labels. Those Celestion 75s were either Rola Celestion G12/75, introduced in the 1970s, or the later G12T-75 version made in England in the 1980s - 1990s. They had brown solder tags to connect the speaker wires, screwed to the spoke with flat head screws. WOT'S, UH THE DEAL WITH THE FENDER 59 BASSMAN REISSUES DAVID GILMOUR USED? Early model Crescendos had cast metal frames with plain spokes, and later "FANE MADE IN ENGLAND" was cast into one spoke. Hiwatt (Reeves Custom 50) through Hi-Tone Crescendo A and Celestion G12T-75 speakers with a BKB 911 Tube Driver - Louder Than Words solo, Hiwatt (Reeves Custom 50) through Hi-Tone Crescendo A and Celestion G12T-75 speakers with a Ram's Head Big Muff - Mother solo, Hiwatt (Reeves Custom 50) through Hi-Tone Crescendo A and Celestion G12T-75 speakers with a Ram's Head Big Muff - In Any Tongue solo, Same as above, but with a Green Russian Big Muff - In Any Tongue solo, Same as above, but with a BKB/Chandler Tube Driver - In Any Tongue solo. The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets loaded with Fane Crescendo 100w speakers, from his 2015 tour. I use it to pair with brighter speakers like the Hi-Tone Crescendo A, DR-F, or the Weber FC12. And I love to buy speakers, and have been collecting since 1972. RS is run by Jeff Lewis, head of the U.K. amplifiers and speaker cabinet company Matamp, and Chris Hewitt, owner of Ozit Morpheus Records and CH Vintage Audio. A photo from the Evidence Audio website of David Gilmour's 59 Bassman being serviced with new speaker wire confirmed the original blue frame alnicos are still in his. What are the general sonic characteristics of each. I prefer closed back cabs for most things, especially distorted electric guitar, but that is just because they sound better to me in my small studio. FANE continues to dynamically engage with a continually changing global audio industry, evolving to the demands of the present time while being faithful to our original maxims of being at the forefront of audio design and engineering and innovative in our approach to predicting future market trends and requirements. Items must be returned in original, as-shipped condition with all original packaging.Learn More. The 15" Crescendos were also sometimes labeled "100A". Butler Tube Driver - Take A Breath solo, Starfinder speaker - clean tone with compressor - Coming Back to Life solo, Starfinder speaker - clean rhythm tone with compressor - Another Brick in the Wall Part II, Shown above - 150w Hi-Tone Crescendo 'A' with aluminum dust cap and Kurt Mueller cone. Visit the Cemetery . East Whittier, California Call Now. Those had a wider frequency range than the type 'A'. Electric Guitarists.
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